20090305

Review: ZaZa Gallery Stretched Canvas


Recently, whilst twittering on Twitter, I met up with a fellow that goes by the moniker @photocanvas who has gotten into the business of producing gallery wraps. When I checked out his site, ZaZa Gallery, I was blown away at the prices I found listed. 8x10 canvas-wraps for $25 and 20x30 for $99. I was curious, but a bit set off by the low price.

In my experience, I have found that while inexpensive is great, there is usually a discernible lowering of quality. With this in mind, I still wanted to give ZaZa Gallery a go, as I have been wanted a canvas wrap for my wall, and I have always been too cheap to get one.

So I chose a picture of my wife and son, chosen so this could double as a Valentine's present. The shot was taken with my Canon XTi and I uprezzed the converted RAW with Genuine Fractals 5 (a step behind, as always). When I was processing the image in Lightroom I hit it with my Kodak Portra 160NC preset from my Cold Storage Collection. I wanted to see how the more subtle colors would come across on canvas, as most prints I have seen tend to be rather saturated. So after I got the image done, I uploaded to ZaZa Gallery.

Within a week I recieved my canvas via FedEx Ground, and upon opening the box was promptly blown away with the quality, especially when I factor in the price.


Immediately I saw that my Kodak-inspired colors were dead-on. I did not ask for any special handling of the image, so it was great to see that Hugh (the real name of @photocanvas) knew what I was wanting from the original image and did nothing to alter the colors of my image. Next, I noticed the wrap itself, where he had perfectly mirrored the border of my image, and stretched the canvas right on that mirrored border. Finished it off with nice, tight corners. I was truly impressed. ZaZA Gallery's production quality is great, and the Epson inks brought out true color on the nice, white canvas.

Speaking of the Epson inks, the printer used produces great, sharp, detailed images. I was expecting to see a lesser DPI utilized for my 11x14 canvas, as I have seen done with other enlargements. It was not so. The level of detail retained was amazing, especially whe I peered deeper into the reflection on my wife's sunglasses...I realized that I was in the portrait myself.

I was surprised to find myself printed in fairly good detail, with indidual twigs on the trees around me still visible. To an extend that is a testimony to modern digital cameras, but again, this is a lot of detail for a heavily textured surface. It was great.

Needless to say I am impressed with the quality of ZaZa Gallery's work, and look forward to utilizing them again when I get ready to order my next canvas wrap. They utilize archival inks and coatings, to ensure a long image life...I can't quite test that, but I'll let you know in 90 years or so.

The only thing I found lacking about their service is a minor pittance. A backing and hanging wire would have been a great addtition, but for what they charge it is no big deal to drive down to my local framing shop to do it myself.

So next time you are looking to get some gallery wraps made, drop by their site and check them out. If you have any questions all their contact info is on the site, or you can simply follow Hugh on Twitter @photocanvas. If you do order, let him know you found him through LifeInDigitalFilm.


While on this topic, I mentioned earlier that I had uprezzed this image utilizing onOne Software's Genuine Fractals 5. Yesterday, Dennis Hayes (of Photo News Today) had a guest spot on X-Equals blog, in which he went in-depth with Genuine Fractals 6. Drop by and give it a read if you like to go big with your images....remember, at 300 dpi 11x14 is as big as it gets at 10 megapixels. Genuine Fractals lets you go big and make new pixels that look real, as if you shot your image with a 20 megapixel camera with no noticeable loss of quality. Check it out over at Brandon Oelling's X-Equals blog.

Well that is all for today, back tomorrow with something else.

Until then,

Michael

20090304

LR/ACR Preset: Fuji 160S

LR/ACR Preset: Fuji 160S

Another day, another Fuji-looking preset. Today I bring you Fuji 160S, the subdued color sibling to yesterday's Fuji 160C. While still quite vibrant, the color is more subtle than 160C, however it still can bring some pop to an image. This film was designer for use in portraiture, and thus it handles skin tones beautifully. A nice film, which I found I quite enjoyed, as I have a liking to the more subtle tones of portrait films.






As it is quite a busy day, I am going to leave it at that. Come back tomorrow, when I will have some honest-to-goodness blog writing done...or if all else fails another preset from the B&W vault.

Until then,

Michael

20090303

LR/ACR Preset: Fuji 160C

LR/ACR Preset:Fuji 160C

Alright, back on schedule. Releasing one of two quality Fuji presets today, tomorrow another follows. Today I bring you my interpretation of Fuji 160C, one of Fuji's professional line films, this one designed for general use, with a heavy leaning towards strong saturation. The film produces great, saturated colors, but not too far over the top. Great for all kinds of uses, but maybe a bit rich in the orange channel for portraiture. But that is what Fuji 160S is for.

160C features a fine grain and Fuji's "4th color layer" which supposedly allows for richer colors with less grain. Either way it is a great film with a lot of versatility.




Come back tomorrow for the next film preset in my Fuji set, 160S. The subdued portrait film.

Until then,

Michael

20090302

Monday Update: Some weeks are better than others....

In short, my week sucked. I had absolutely no time to work on LifeInDigitalFilm whatsoever, my real job and photo work saw to that. Luckily, I though things might go wrong, so I prepped enough material to get through the week with out posting, to get me through the weekend. That didn't work out as hoped, as I had no content on Saturday, but I still made a post, so my current streak is still intact.

So, if you haven't been by in a while, this week was pretty uneventful here. The only upside was that I got four new presets out the door.

Tuesday : Fuji Fujicolor Press 800
Thursday : Maco PO
Friday : Maco IR
Sunday : Foma Fomapan Classic

Saturday was a wash, as all I got up was an excuse for not posting, however on Wednesday I did get a couple words out as I covered a few topics that I felt I needed to address, read more on that HERE.

I was planning on doing more today, but again I am time limited, but all my current commitments have been met, so I have some time to dedicate to LifeInDigitalFilm in the coming days. The next two days will see some new presets released, and later in the week I will have a review of the canvas print service from Zaza Gallery and a little tutorial piece I have been working on. Hopefully I can find some time to get some details hammered out on my upcoming switch to WordPress and let you know when those changes will arrive.

Also, be sure to check out X-Equals, as Brandon has some great information over there. This week he threw down his review of Alien Skin's Bokeh and gave an introduction to Dripbook, a new spin on online portfolios.

Well, I will be back tomorrow with another new preset for you to play with.

Until then,

Michael

20090301

LR/ACR Preset: Foma Fomapan Creative

LR/ACR Preset: Fomapan Creative

Well, it has been a hectic week for me, but I guess I have avoided not posting. It is Sunday night and I am finally getting a release out. Sorry for the lack of contents yesterday, but I had my nose to the grindstone taking care of business. Now that is done and I am back. It may take a few days for me to get back to early posts, but I will get it back.

Tonight I bring to you another black and white simulation. Tonight's preset is an emulation of Foma's Fomapan Creative, a nominally rated 200 speed film, functional from ISO 100-800 depending on processing. This roll was exposed at ISO 200 and developed in D-76 Stock soulution for 6 minutes at 20C.

This is a really sweet film, with great tone and wonderful grain. I really like it a lot, enough that I am considering utilizing it for a lot of work I normally do with Tri-X. I have not been overly impressed with many of the modern-classic films (those utilizing the traditional cubic silver), but this one relaly got me. I love the tones it produces.




I hope you find this preset enjoyable. I will be back agaoin tomorrow, with my Monday update and some new links for you to follow. Tuesday shall bring another preset, and further in the week I have a few reviews for some software and services, including a great canvas print service, along with more presets.

I hope to have a Wordpress migration in the next month, have some gears moving with some great people right now...I will update further when things firm up a bit more. But good things are coming. I am also working on my own guide to simulating film in Lightroom and ACR, which I will release as an e-book this summer. It is coming along well thus far, and I will update further when I have more information on that as well.

In the mean time, keep using my presets, and let me know what you think of them. Don't forget to get your copy of the Cold Storage Collection to help me keep getting new films to emulate. On average every $10 purchase/donation will pay for 1-2 new emulations. So if you haven't grabbed a copy yet, be sure to do so...it keeps the site alive. AND anyone who purchases a copy of Cold Storage will get a FREE upgrade to the 2nd edition that will be coming this summer..it is my way of thanking all the early supporters. To pull the trigger on the deal, look to the right sidebar for the purchase buttons or click here to read more from the orignal post for CS.

Thanks again for all the support!

Until tomorrow,

Michael