Showing posts with label Tri-X. Show all posts
Showing posts with label Tri-X. Show all posts

20081107

LR/ACR Preset: Kodak Tri-X


LR Preset: Kodak Tri-X, originally uploaded by GrayImaging.

[Adobe Camera RAW presets added 01132009]

So I have already released this film emulation once in MikeyG!s B&W Film Presets Vol 1. However after getting out my old negs and prints I decided that I had to have been a bit off. After studying the actual film, simulation programs and the tech papers I feel that this is a more accurate representation of the film. This version alters all colors on the grayscale mixer, not just primaries. To me it seems that by working the entire spectrum I am getting much smoother tones, more reminiscent of real Tri-X.

Grab it HERE.

This is a tricky preset to release, especially since this is the de facto king of B&W to many photographers out there. I pray that the world can accept this preset in all its flaws. I may get close, maybe even closer in the future, but I can never emulate any film 100%. The only way to nail the Tri-X look or any other film look is to shoot the film.

Which, although soapboxing here, brings me to a thought I need to bring up. Since I have started my film emulation presets I have gotten alot of good feedback, but I need to address 2 questions/comments that I have gotten in some volume:

1) Why bother? (film is dead)

I bother because film is the heart and soul of photography. There can be a certain sterility to digital images that was rarely seen on good old analog film. That warmth that film provided in tone, contrast and density made photography. If we can put some of that feeling back into our digital work, especially when its needed, it can only improve an image.

2) Why bother? (if you want it to look like film, shoot film)

I do shoot film. Quite a bit. But I find myself with a digital in hand more often than not. I grew up on film, and will shoot film as long as I can (just got some Ilford 400 hp5+ for the weekend). But for clients photos I almost always use digital, unless they request film. Film is my look, and I want it in my work. It may not be 100% accurate, but 90% approximation of the film I want is better than 100% of what I don't want. Quite frankly film is expensive, and I couldn't afford to shoot a wedding on film and make money. I can't get 10 pictures each of 30 poses in an hour with film, and turn a profit on it. Digital + Simulation gives me what I need with little extra overhead, aside from the work developing my presets or money spent on Exposure 2.

From the response in general I have received, from the download numbers I have seen, people like the film presets. I will keep on making and revising these to get ever closer to the impossible 100%. People are using my presets and enjoying my presets. Most importantly I am using my presets, they are making my workflow easier, and others can benefit from my efforts.

Sorry for the rant,
Michael