LR/ACR Preset: Fuji 400H

Sorry if you were expecting a Monday Update. Felt that it really was not needed this week. Will resume next Monday. Today I felt like releasing a new preset, kind of an atonement for the delay a week ago with the hard drive failure. Tomorrow the next portion of the Presets tutorial will be up.

So today I bring you a straight emulation of Fuji 400H. Fuji's middle range speed "pro" film, it features a more subdued color palette, placing it in line with the Kodak Portra 400 NC, making it great for candid portraits. The emulation does tend to run a little dark, so it is best on bright images. I hope you find the emulation enjoyable.

Well until tomorrow,

Michael

LR/ACR PReset: Fuji 160C X-Pro

Recently a friend of mine was over at my house, discussing film emulation. As he was getting ready to leave, he asked me if I had any E-6 I needed processed, as he does his own and his chemistry is getting a tad old. I said I didn't have any E-6, but if he was getting rid of the chemistry soon anyways, as he no longer shoots film, he could run some c-41 print film through the slide process. He had never done it before, but he went ahead and took four rolls of C-41 film from me to process.

Well a few days ago, he got the film back to me. Fuji 160C was one of the films he cross-processed, and it turned out to give some really wild results. Almost unusable for my purposes, but it has an edge, especially if there are no people in your image.

See, the processing looks great, interesting color-shifts, green going a touch neon; perfect for some creative landscape or artistic animal work. But is just does not work for humans, as it turns any skin tone a funky shade of yellow. I do not like the look on skin. That is not to say that you might not like it, or may find a way to make it work in an image, its just I don't think I can.

So if you see a possibility for it, download it and take it for a spin. Let me know if you can make anything out of it.

There will be more upcoming C-41 to E-6 cross processes upcoming, most less harsh than this one. Also I have some revisits upcoming, where I shoot another roll of an already emulated film and emulate it again. Be it a different expiration date, different developer or just different conditions at time of test shots. I try to emulate any roll I shoot, and if they are good enough, they will make it here. Worst case scenario, you have 5 different Tri-X presets to choose from, but choice should never be a problem.

Back soon with Part 2 of the Presets series

Until Then,

Michael

LR/ACR Preset: Rollei IR

Today I present another of my inaccurate representations of an infrared film. Although, it is actually a normal emulation of a regular panchromatic black and white film that claims to be an infrared film. Rollei IR has en extended red range that pushes well into the infrared spectrum, however the emulsion is still technically panchromatic, and when shot without a IR filter, the film can be shot as a regular 400 speed black and white film. The effect of the infrared light is overpowered by visible light when shot without a filter, and it has a look similar to Tri-X, albeit with different color responses.

So, this emulation was based off a sample roll shot as regular film, not infrared. Therefore the response show little in the way of IR effects. I felt this was the best way to handle this film, as I still have no access to IR RAW files. Enjoy the preset.

That it all for today, back again tomorrow,

Michael

LR/ACR Preset: Forte Fortepan 100

Sorry for the delay in new content, sometimes the unexpected occurs and you don't have a back-up plan. Good news is, I am back up and running. $50 bucks bought a new hard drive, and after 3 nights of fighting to get WinXP SP3 up and running, I gave up and instead dropped on the Windows 7 beta on my main machine. Turned out to be the best thing I have done in a while. If this is the sign of what Microsoft has planned for Windows, I may not migrate to Mac after all. I have always preferred to run a Linux or BSD machine as my main machine, but how 7 feels, I think I can actually stand to run Windows again...but I will let you know what I really think in a month or two, after the system has time to get bogged down. That is where Windows traditionally fails, I am hoping 7 shows to be more reliable in the long run.

Anyways, I have one of the presets I rescued from the crash for you today. Today I continue the collection of Forte films that I started releasing a week ago. Today I preset to you Forte Fortepan 100. I hope you enjoy it.

Sorry I don't have anything else today, I am still trying to get ramped back up on making more content for LIDF, and I had some other obligations to fulfill also. I have a guest post coming up on X-Equals soon on the topic of sharpening in Lightroom. Keep checking Brandon's site for that, as it should be up later this week.

Until tomorrow,

Michael

LR/ACR Preset: Forte Fortepan 400

A quick release for tonight. I have had a hard drive failure on my production PC, bringing almost everything to a grinding halt. I luckily had an rsync update from my PC to my Linux RAID server on site, so I only lost the last day's worth of work, but that equates to 5 finished presets, 2 articles, and 2 articles for other blogs. Not a good day.

So here is one of the few finished presets I was able to scavenge, Fortepan 400.

Sorry I can't write more tonight, gotta get back to work trying to stabilize my system and prevent further data loss. Hopefully I can scavenge today's work before my hard drive totally becomes useless. Be back as soon as possible, hopefully tomorrow.

Until then (and wish me luck)

Michael

LR/ACR Preset: Foma Fomapan Classic

Well, Friday seems like a good day for a new preset. Thank goodness it's the weekend now, as I have three days in which to get my current load of presets completed. I'm running low on ready stock and need to get my current batch done. But that's not what you are here for now, is it?

Today I bring you an emulation of another fine film from Foma. Today's release is on their "low-speed" Fomapan 100 Classic. It is similar to Fomapan Creative in many ways, with a slightly different tone profile and a finer grain.

I hope you find the emulation enjoyable. I will be back tomorrow with more content of some sort, most likely not a preset, but something more informative (as I have to get more presets ready to roll).

Until then,

Michael

LR/ACR Preset: Fuji 160S

Another day, another Fuji-looking preset. Today I bring you Fuji 160S, the subdued color sibling to yesterday's Fuji 160C. While still quite vibrant, the color is more subtle than 160C, however it still can bring some pop to an image. This film was designer for use in portraiture, and thus it handles skin tones beautifully. A nice film, which I found I quite enjoyed, as I have a liking to the more subtle tones of portrait films.

As it is quite a busy day, I am going to leave it at that. Come back tomorrow, when I will have some honest-to-goodness blog writing done...or if all else fails another preset from the B&W vault.

Until then,

Michael

LR/ACR Preset: Fuji 160C

Alright, back on schedule. Releasing one of two quality Fuji presets today, tomorrow another follows. Today I bring you my interpretation of Fuji 160C, one of Fuji's professional line films, this one designed for general use, with a heavy leaning towards strong saturation. The film produces great, saturated colors, but not too far over the top. Great for all kinds of uses, but maybe a bit rich in the orange channel for portraiture. But that is what Fuji 160S is for.

160C features a fine grain and Fuji's "4th color layer" which supposedly allows for richer colors with less grain. Either way it is a great film with a lot of versatility.

Come back tomorrow for the next film preset in my Fuji set, 160S. The subdued portrait film.

Until then,

Michael

LR/ACR Preset: Foma Fomapan Creative

Well, it has been a hectic week for me, but I guess I have avoided not posting. It is Sunday night and I am finally getting a release out. Sorry for the lack of contents yesterday, but I had my nose to the grindstone taking care of business. Now that is done and I am back. It may take a few days for me to get back to early posts, but I will get it back.

Tonight I bring to you another black and white simulation. Tonight's preset is an emulation of Foma's Fomapan Creative, a nominally rated 200 speed film, functional from ISO 100-800 depending on processing. This roll was exposed at ISO 200 and developed in D-76 Stock soulution for 6 minutes at 20C.

This is a really sweet film, with great tone and wonderful grain. I really like it a lot, enough that I am considering utilizing it for a lot of work I normally do with Tri-X. I have not been overly impressed with many of the modern-classic films (those utilizing the traditional cubic silver), but this one relaly got me. I love the tones it produces.

I hope you find this preset enjoyable. I will be back agaoin tomorrow, with my Monday update and some new links for you to follow. Tuesday shall bring another preset, and further in the week I have a few reviews for some software and services, including a great canvas print service, along with more presets.

I hope to have a Wordpress migration in the next month, have some gears moving with some great people right now...I will update further when things firm up a bit more. But good things are coming. I am also working on my own guide to simulating film in Lightroom and ACR, which I will release as an e-book this summer. It is coming along well thus far, and I will update further when I have more information on that as well.

In the mean time, keep using my presets, and let me know what you think of them. Don't forget to get your copy of the Cold Storage Collection to help me keep getting new films to emulate. On average every $10 purchase/donation will pay for 1-2 new emulations. So if you haven't grabbed a copy yet, be sure to do so...it keeps the site alive. AND anyone who purchases a copy of Cold Storage will get a FREE upgrade to the 2nd edition that will be coming this summer..it is my way of thanking all the early supporters. To pull the trigger on the deal, look to the right sidebar for the purchase buttons or click here to read more from the orignal post for CS.

Thanks again for all the support!

Until tomorrow,

Michael

LR/ACR Preset: Maco IR

Today I bring you another attempt at simulating an infrared film. It is a fairly difficult task that cannot be done anywhere near as accurately as a normal B&W film. So when using my IR presets, keep in mind that you are not creating anything near what the actual film would create. I think I have the general feel of the film captured, however it is impossible for me to create a preset that can take a standard RAW file and give it an IR look.

However, if anyone has access to a IR-converted DSLR, and could send me some RAW files to test with, I should be able to work up a proper IR preset for use with IR modified camera RAW files. If you do, please contact me at michael@lifeindigitalfilm.com

Anyways, today I give to the world preset in the style of Maco IR. I can't really call it an emulation, but it has similar tonality and reacts to colors in a way that makes it kinda look IR. I hope you enjoy it and can find a use for it.

Don't forget to show LifeInDigitalFilm some love. Buy the Cold Storage collection, or even just donate a couple bucks. Every little bit puts more film in my hands, resulting in more presets. Find the buttons on the right side of the page.

A lot has been going on for LIDF lately, I have a few items in the works, so keep dropping by. New things are coming, I just can't say when yet.

Also, today is essentially the last day to make an entry into the Flickr Presetting Lightroom photo contest. Not alot of enteries, and there is a copy of HDRSoft's Photomatix Pro and 3 copies of my Cold Storage collection up for grabs. To enter you need to post an image to the group, with a title, preset used, and why it was used. the contest collection is small, so the odds of winning are pretty good. Jump over there to join in.

Until then,

Michael

LR/ACR Preset: Maco PO

Now to follow up my Maco Cube preset from this past weekend, I now give you my version of Maco PO, their Orthopanchromatic film. Being an Orthopanchromatic film, it has a very subdued response to red, but does not render it black as an Orthochromatic film would. Being said, that is all I can say I find special about this film. It is still a good, solid film, but nothing makes it stand out to me, especailly when compared to Fuji Neopan 100 Arcos, another Orthopan film.

I hope you enjoy it

Back again tomorrow, in the mean time don't forget my Cold Storage collection. If you enjoy my presets and wish to support their further development, the $9.99 usd purchase price goes towards costs for the website and to aquire new film and processing to prepare the film for emulation. The process for making these presets is fairly involved and does require an outlay of cash on my part...your support helps offset these costs. For more information on how I make my emulations click HERE.

Until tomorrow,

Michael

LR/ACR Preset: Fuji Fujicolor Press 800

Alright, here is a preset I had mentioned I have been working on for a little while. Today I release my version of Fuji's Fujicolor Press 800 film, which was design to be a high-speed film primarily for media use in adverse lighting conditions. The emulsion is rather grainy, but grabs sharp, clear images. This was one of the first Fuji film emulsions that utilized their 4th color layer, leading to vibrant images even under bad lighting without sacrificing shutter speed.

A warning up front, my presets are primarily designed from me physically shooting a roll of film and then further analysis. Sometimes this can lead to unique effects from roll to roll. I feel this is a case of that, the blues in this roll and emulation are really washed out, as you can see in the image above. I could correct this, and make the blues look more "correct" however that would be an inaccurate emulation of this roll. I emulate actual film, not the average look of the film. As I shoot more, there will be new emulations of every film I have done so far. It is the way I am choosing to do this project...there is no end all be all emulation for any film, each batch of film created will differ in appearance and reaction from batch to batch...therefore my emulations retain the quirks of each individual roll and each processing method used.

To compensate for the washed out blues, I recommend that you first slowly lower the Blue channel Luminosity, bringing some more depth to the color. If that is not enough, increase the Blue Saturation slowly until you get what you are looking for. Only do this if you really nee to do the blues, as most other colors look accurate compared to other samples of the film I have encountered. Enjoy the preset.

That is all for today, quick post just to make the release. Enjoy your day, and if you have any beautiful photos that you have just process with my or anyone else's preset, please consider entering it in the Presetting Lightroom contest on Flickr. Just a few days left to enter!

Until Tomorrow,

Michael

LR/ACR Preset: Maco Cube

Alright, it is Sunday here in Mid-America, and I have nothing better to do that bring you my newest film emulation preset. Today is a rendition of Maco Cube, from Maco of Germany, the manufacturer of the Rollei films. Maco Cube is a 400 speed (nominally rated) Black & White film emulsion. The manufacturer claims an ISO latitude from 100 to 6400 with the same film, depending on development process used, with a fine grain across the ISO spectrum. They claim to accomplish this by utilizing three emulsioon layers with chemicall different silver crystals, that react at different speeds, allowing for fine grain and high speed. I did not test it at any other speed thusfar except for 400, as the deevloper I have on hand currently is D-76 and the only speed rating on the datasheet for D-76 was 400 [10 minutes @ 20C].

I find that it does have a fairly fine grain, but that is of no difference currently in Lightroom as there is no tool allowing for inclusion of grain (please Adobe...V3? Please?) I got the general color response reasonably accurate and I find the emulation to be reasonably close to Maco Cube @ 400 in D-76, for what it is worth. Enjoy.

As I mentioned yesterday, please join Flickr Presetting Lightroom group and enter into out photocontest. We have less than a week to go and less than 20 entries, those are pretty good odds to win a copy of HDRSoft's Photomatix Pro, with it's new Lightroom Plug-in. Also you have a shot at getting my Cold Storage Collection, three copies are up for grabs. Presetting Lightroom has more than just the competition too, we have a collection of now over 200 free presets that you can get to from our community discussion board. Come on by and enter!

And if you think you have a good shot at winning, you might want to check out the video from profiPhotos, coverin the use of HDRSoft's Photomatic Pro with Lightroom! Follow over to it HERE!

And if you got some mad tax-return money burning a hole in your pocket, and you like the presets I make, please consider grabbing a copy of Cold Storage and get the 12 exclusive presets along with every preset released on LIDF up to the end of Janurary 2009. $9.99 to go to film and processing to keep the emulations coming and improving! Thanks!

Until tomorrow,

Michael

LR/ACR Preset: Agfa RSX II 50

Ah, it is Friday, my work week is over. Hopefully I can get some articles written...I can hope. But anyways, I did not even try to write an article for today, I decided to complete my trio of RSX II presets. Today I present my Agfa RSX II 50 preset. It completes the set, and is the best looking one on the vast majority of my images. Enjoy.

More and more photographers are using my LifeInDigitalFilm presets, and as I discover them I am going to keep sharing them with you. Today I would like to ask you to drop by Nate Lawson's photoblog Phototerium. Today he posted an interesting photo entitled "Learning Curve" utilizing my Adox CHS 50 preset. When I look at his image I have to say it screams art...look at it close, you will see what I mean. If you like his work, please follow him on Twitter @nate_lawson.

So, with that I am going to get back to my text editor and get to work on some articles I hope to eventaully complete and get up on LIDF. Also I am going to spend some time getting my WordPress theme worked on, and iron out some bugs in my "sandboxed" version of the new LIDF. Hoping to get it live in the next month or so.

Back tomorrow!

Michael

LR/ACR Preset: Agfa RSX II 200

Well I hoped to have an article up for today, however the article expanded well beyond the scope I desired for a post on LIDF. The article is on getting the most of of the LIDF film presets, but I decided I am going to work on it more and roll it into a PDF file that I will post here on the site once I get it completed. A manual of sorts to help people get started with my presets.

As for today, my post is running late..as will tomorrows..but I should get back to early releases over the weekend. I am going ahead and releasing the next preset based off my recent experiments with some expired Agfa RSX II. Today's flavor is the ISO 200 version that I got finished last night. Similar to the ISO 100, but with some shifting of color in the reds and in general a much higher key presentation of the photo.

Please download and use, see if you like it. If so please let me know. If not let me know also. If there is any film you want to see emulated, let me know...I'll do what I can. But for now enjoy today's release.

And another shout out to another great photoblogger out there putting my presets to use. I ask you to hop over and take a peek at Beau A.C. Harbin's blog. He has a stream of great photographs, one of the newest being and HDR image treated with my Fuji Velvia 50 preset from the Cold Storage collection. The image is unique and stunning. Please drop by and take a gander, click HERE. If you enjoy creative images you will enjoy his blog.

Speaking of the Fuji Velvia 50 preset, it can only be found in the Cold Storage collection, which can be purchased in the upper right side of the blog. If you need more information, please refer to the blog post for it HERE. I hope to have a dedicated page to the collection soon, with more information for those of you who are not sure...but for 9.99 it's an easy sale for anyone who wants to help LifeInDigitalFilm keep growing. There are so many different film stocks with so many ways to process it that we can keep the emulations going for quite some time, as long as there is a way or me to pay for film and processing.

Anyways that is all for today, hopefully things smooth out over the weekend and I am back to early posts every day...I almost missed today's post!

Until then,

Michael

LR/ACR Preset: Agfa RSX II 100

So, I am suffering from writers block and having an issue finishing off the article I planned for today. So instead of beating my head into the wall, I am going to let it slide another day and release my new preset a bit earlier.

Recently I received a small collection of older film. In that small collection, I received 9 rolls of Agfa RSX II film, 3 of each speed. This emulation is of the 100 speed that I shot and got developed at my local photo lab. I plan on shooting another roll and cross-processing it and shooting the final roll when I get started devloping E-6. So I shot a roll of 50, 100 and 200 and sent them all off at the same time. This is the first one I completed.

RSX II was designed as a low-contrast, neutral color film. It may have been where I got it developed, or just the fact it is expired, but the colors were fairly neutral but did run a bit toward red. Also, it is more contrasty than what I expected, but that could also be due to a slight underexposure in my test frames shot for emulation.

Please try it out and see what you think.

Before I log out for the morning, I would like to point you over to an interesting 365 photoblog I have stubled across. Julie McLeod has been working on her 365 Photos in 2009 blog, aiming for 365 photos, most of which shot in accordance with a list of themes. I find the concept fun, but I don't think I could ever to it with the style she has done so far. Also a few of her images have used my presets and I really loving seeing them in action. She is a very talented photographer with a great eye for wonderful images, so do me a favor and hop over to her blog and leave some kind comments. Click Here to make the hop 365photosin2009

Anyway, that is all for today, wish I had an article for you, but I'm sure most of you would rather have the presets. And if you ever have any questions about my presets feel free to reach me at help@lifeindigitalfilm.com, I check the mail in the account once a day in the evening and will try to get back to you as soon as possible.

Thanks,

Micahel

LR/ACR Preset: Rollei Ortho

Time for another quick post, busy work week so far, but I am not going to let LIDF slip. So here is my newest Black & White preset, simulating Rollei Ortho processed in Rollei Low Speed Developer, for enhanced tone and contrast.

This seems to be a very versatile film, and I need to shoot it again and develop in Rollei High Speed developer. Anyways, I gotta run, not enough time to do a write up, but please enjoy the preset.

Be back tomorrow, hopefully have some time to get up the article I have been working on.

Until then,
Michael

Monday Update: New release at PresetsHeaven

Over the weekend, Pierre over at PresetsHeaven released another package of my presets. If you hop over there you can grab theLIDF Fuji & Ilford B&W Collection, containing all the Ilford and Fuji Black & White Film Emulations I have released on LifeInDigitalFilm over the past few months. If you have been grabbing them here as I release them you have most everything in the set, however there is a PresetsHeaven exclusive preset hiding in the download that you can only get over there.

The exclusive preset is an emulation of an expired roll of Fuji Neopan 100 Acros that passed its prime in 2005. Acros is my favorite B&W film, and you can only get my emulations of it at either PresetsHeaven for the expired version or In my cold Storage Collection for a fresh version of the film. Pierre was kind enough to make sample images for me, and as I am not at home, I cannot post one for you to view. So hop on over there and grab the exclusive preset HERE.

The past week has been my most active week on LifeInDigitalFilm so far. Had a few releases and a few articles, so if you haven't been by in a while, take a few minutes to get caught up. Flashing back to last Monday I released an article about using Snapshots in Lightroom, allowing you to have multiple incarnations of the same file, without cluttering up your catalog with redundant images. An added feature of using snapshots is that you can write the metadata to the RAW file, and if you open that same file in Adobe Camera Raw, your snapshots will be saved in the presets tab inside ACR, allowing you access to all your modifications in ACR. Jump back to that article HERE.

Tuesday I released an article coving making monochrome images with Lightroom. It is a general overview, but I threw in a few tips on using my B&W presets for those of you who use them a lot. Check it out HERE.

Yesterday, I posted a list of my favorite Flickr groups, letting you see where I go to see what is going on in the photo world. If you are a member of Flickr you should really check them out HERE.

The rest of the week was filled with preset releases:

Wednesday: Classic Film Classic Pan 200 (also had a featurette about Twitter)

Thursday: Daguerreotype (my attempt to simulate the historic photography process)

Friday: Classic Film Classic Pan 400

Sautrady: Kodak Ektachrome 100VS

So I have to say it was a rather productive week. Trying to keep it up, which is why there is a review post today.

Also of note, don't forget to join Presetting Lightroom on Flickr and get in on the photo contest there. One copy of HDRsoft's Photomatix Pro with the Lightroom plug-in is up for grabs. Click HERE to hop over to the group and join and get in on the contest. You have until Feb 28 to make your entry. Don't forget to persue the preset collection there, over 200 free presets to grab and use!

Also, I want to thank everyone who has purchase LIDF Cold Storage. Should be getting my hosting soon, and then any funds made from the collection will be used to aquire and process more film to be emulated. As long as people keep buying the package, I will be able to keep getting more film and processing it in many different ways. Every purchase pushes LifeInDigitalFilm just a little bit further towards becoming the ultimate source for simulating film. If you haven't already, sonsider purchasing Cold Storage and get the 12 exclusive presets avilable therein, including the Kodak Porta 160 NC and VC presets! More info HERE.

On the note of LIDF keeping the emulations coming, I have a poll up on the site asking if I should bother adapting my presets for use on JPEG and TIFF files. So far the response has been overwhelming for keeping my presets RAW only. If you need support for JPEG images, make sure to speak up, because as it stands now it would be a waste of my time to develop JPEG versions.

Finally, just wanted to let you know I just got 3 rolls of Agfa RSX II back from the lab with scans. Had a roll each of 50, 100 and 200 speed. Aquired the film from a local photographer who has made the switch to digital, so it was kept cold even though it has expired. Been working on simulating them over the weekend, so hopefully they should be ready for release sometime this week.

Stay tuned,
Michael

LR/ACR Preset: Kodak Ektachrome 100VS

Another day, another preset. And today is Valentines Day, so I am releasing a special release of one of the most popular emulations from my original Slide Film Collection. Kodak Ektachrome 100VS was the one emulation in that pack that I received the most compliments on, so recently I went out and bought two fresh rolls of E100VS and set out to make a new version, using my new emulation procedure.

Six hours went into this preset, starting with the analysis and general development to get it close, finishing with 3 more hours this morning fine tuning it. I hope everyone enjoys this as much as my first attempt.

For those of you still using my original MikeyG!s Color Slide Film Collection, those presets are still fine, however they are not as accurate as those being released on LifeInDigitalFilm currently. While developing my Kodak B&W collection I developed as more through and accurate way to simulate film, and that method is being utilized in this preset. (More Information on my development process can be found at the Flickr Presetting Lightroom Group) If the old emulation still works for you, wonderful! I just ask you give this newer one a shot, as I feel it is much more accurate in it's depiction of the capabilities of this film stock.

Also, this can be a finicky preset under certain circumstances, so I highly recommend reading the readme.txt file in the download archive. You may find it of help, however I don't feel like getting technical on the blog today.

This preset was not free for me to make. I used 2 rolls of E100VS and Lab processing to get the final results. Between film costs and development costs this emulation cost about $25 USD to develop. I can back that off to about $12-$15 when I consider that about half of each roll got shot on personal projects, however ther was still a definable expense to do so. I would like to thank those who have purchased the Cold Storage preset collection for helping finance my site and emulations. For every 1 purchase made, I make enough to be able to purcahse and develop a roll of B&W film (lower since I do my own devloping). For every 3 purchases made I can develop 2 Color (C-41 or E-6) emulations (as I am currently still sending this out to a lab until I get better at color development). The purchases are also helping to purchase hosting for the blog, which will be migrated as soon as I finish getting my Wordpress theme the way I want it.

If you have not done so already, please consider buying the collection for $9.99 USD. There are links at the top right side of the blog, or click the following link for more information on the 12 exclusive presets available within: Cold Storage. Also included in that preset is a version of this same E100VS that I had Cross-Processed at the lab a while back.

Thank you,

Michael

Will be back tomorrow, I am getting better at these regular posts!

LR/ACR Preset: Classic Film Classic-Pan 400

Short post today. It's Friday, so I have a lot to get done today, and no time to do it before the weekend. Releasing the Classic Film Classic-Pan 400 preset today. It has a brighter tone that the 200 speed. A good film, home developed by me in D-76 for 9 minutes at 60C. Enjoy the emulation.

I hope to have another post this evening, if not I will have an article up for you to read sometime tomorrow. Really trying to have daily content.

Until then,

Michael